mirror of https://github.com/coqui-ai/TTS.git
6.9 KiB
6.9 KiB
1 | LJ001-0001 | Printing, in the only sense with which we are at present concerned, differs from most if not from all the arts and crafts represented in the Exhibition | Printing, in the only sense with which we are at present concerned, differs from most if not from all the arts and crafts represented in the Exhibition |
---|---|---|---|
2 | LJ001-0002 | in being comparatively modern. | in being comparatively modern. |
3 | LJ001-0003 | For although the Chinese took impressions from wood blocks engraved in relief for centuries before the woodcutters of the Netherlands, by a similar process | For although the Chinese took impressions from wood blocks engraved in relief for centuries before the woodcutters of the Netherlands, by a similar process |
4 | LJ001-0004 | produced the block books, which were the immediate predecessors of the true printed book, | produced the block books, which were the immediate predecessors of the true printed book, |
5 | LJ001-0005 | the invention of movable metal letters in the middle of the fifteenth century may justly be considered as the invention of the art of printing. | the invention of movable metal letters in the middle of the fifteenth century may justly be considered as the invention of the art of printing. |
6 | LJ001-0006 | And it is worth mention in passing that, as an example of fine typography, | And it is worth mention in passing that, as an example of fine typography, |
7 | LJ001-0008 | has never been surpassed. | has never been surpassed. |
8 | LJ001-0009 | Printing, then, for our purpose, may be considered as the art of making books by means of movable types. | Printing, then, for our purpose, may be considered as the art of making books by means of movable types. |
9 | LJ001-0010 | Now, as all books not primarily intended as picture-books consist principally of types composed to form letterpress, | Now, as all books not primarily intended as picture-books consist principally of types composed to form letterpress, |
10 | LJ001-0011 | it is of the first importance that the letter used should be fine in form; | it is of the first importance that the letter used should be fine in form; |
11 | LJ001-0012 | especially as no more time is occupied, or cost incurred, in casting, setting, or printing beautiful letters | especially as no more time is occupied, or cost incurred, in casting, setting, or printing beautiful letters |
12 | LJ001-0013 | than in the same operations with ugly ones. | than in the same operations with ugly ones. |
13 | LJ001-0014 | And it was a matter of course that in the Middle Ages, when the craftsmen took care that beautiful form should always be a part of their productions whatever they were, | And it was a matter of course that in the Middle Ages, when the craftsmen took care that beautiful form should always be a part of their productions whatever they were, |
14 | LJ001-0015 | the forms of printed letters should be beautiful, and that their arrangement on the page should be reasonable and a help to the shapeliness of the letters themselves. | the forms of printed letters should be beautiful, and that their arrangement on the page should be reasonable and a help to the shapeliness of the letters themselves. |
15 | LJ001-0016 | The Middle Ages brought calligraphy to perfection, and it was natural therefore | The Middle Ages brought calligraphy to perfection, and it was natural therefore |
16 | LJ001-0017 | that the forms of printed letters should follow more or less closely those of the written character, and they followed them very closely. | that the forms of printed letters should follow more or less closely those of the written character, and they followed them very closely. |
17 | LJ001-0018 | The first books were printed in black letter, i.e. the letter which was a Gothic development of the ancient Roman character, | The first books were printed in black letter, i.e. the letter which was a Gothic development of the ancient Roman character, |
18 | LJ001-0021 | The earliest book printed with movable type, the aforesaid Gutenberg Bible, is printed in letters which are an exact imitation | The earliest book printed with movable type, the aforesaid Gutenberg Bible, is printed in letters which are an exact imitation |
19 | LJ001-0023 | and was in fact the kind of letter used in the many splendid missals, psalters, etc., produced by printing in the fifteenth century. | and was in fact the kind of letter used in the many splendid missals, psalters, etc., produced by printing in the fifteenth century. |
20 | LJ001-0024 | But the first Bible actually dated (which also was printed at Maintz by Peter Schoeffer in the year 1462) | But the first Bible actually dated (which also was printed at Maintz by Peter Schoeffer in the year fourteen sixty-two) |
21 | LJ001-0025 | imitates a much freer hand, simpler, rounder, and less spiky, and therefore far pleasanter and easier to read. | imitates a much freer hand, simpler, rounder, and less spiky, and therefore far pleasanter and easier to read. |
22 | LJ001-0026 | On the whole the type of this book may be considered the ne-plus-ultra of Gothic type, | On the whole the type of this book may be considered the ne-plus-ultra of Gothic type, |
23 | LJ001-0027 | especially as regards the lower-case letters; and type very similar was used during the next fifteen or twenty years not only by Schoeffer, | especially as regards the lower-case letters; and type very similar was used during the next fifteen or twenty years not only by Schoeffer, |
24 | LJ001-0028 | but by printers in Strasburg, Basle, Paris, Lubeck, and other cities. | but by printers in Strasburg, Basle, Paris, Lubeck, and other cities. |
25 | LJ001-0029 | But though on the whole, except in Italy, Gothic letter was most often used | But though on the whole, except in Italy, Gothic letter was most often used |
26 | LJ001-0030 | a very few years saw the birth of Roman character not only in Italy, but in Germany and France. | a very few years saw the birth of Roman character not only in Italy, but in Germany and France. |
27 | LJ001-0031 | In 1465 Sweynheim and Pannartz began printing in the monastery of Subiaco near Rome, | In fourteen sixty-five Sweynheim and Pannartz began printing in the monastery of Subiaco near Rome, |
28 | LJ001-0032 | and used an exceedingly beautiful type, which is indeed to look at a transition between Gothic and Roman, | and used an exceedingly beautiful type, which is indeed to look at a transition between Gothic and Roman, |